Foreign Etiquette Essay Research Paper Etiquette for free essay sample

Foreign Etiquette Essay, Research Paper Etiquette for Greetings and Business Card games As we do concern in other states and as we receive business peoples from other states in our American offices, it is of import to cognize how to recognize people and how to show our concern cards. The salutation is the beginning of the concern interaction ; if it goes good, we create a positive feeling that will function as a foundation for our concern treatments. Business Card games The ultimate passport in today s planetary economic system is the concern card. It identifies your company and makes it easier for international people to understand your name. Rank and profession in other states are taken much more earnestly so they are in the United States. For every state in which you travel, have your concern card information in English on one side and in the linguistic communication of the peculiar state on the other side. We will write a custom essay sample on Foreign Etiquette Essay Research Paper Etiquette for or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Include your name, place rubric, your company name and reference, and your facsimile and telephone Numberss. In European and North American states, the concern card may be presented with either manus. In Southeast Asia, Africa, and the Middle East, neer present the card with your left manus ; the left manus is considered dirty. Greetings Your first opportunity to do an feeling is when you greet person and exchange names. In America, we tend to be formal but that does non intend we should be careless. Professional, societal, and household positions are really of import in many civilizations. If you say or do something, which is wrong, you can pique others and abash yourself. Always use a formal salutation when you meet people from other civilizations. Never address them by their first names unless they ask you to make so. In European and North American states, recognize the individual with a steadfast handshaking, good oculus contact, and the pronunciation of the last name with the courtesy rubric Mrs. Moschler. In Latin American states, recognize a individual with a light handshaking and possibly an embracing. Remember that most peoples names are a combination of their male parent s and female parent s names. Merely a female parent s name is use in conversation. So, Carlos Mendoza-Zamora would be addressed as Senor Mendoza. The French besides greet one another with a light handshaking ; the steadfast U.S.-type handshaking is thought to be impolite. By and large, adult females do non agitate custodies. Young people and close friends will often interchange kissed on both cheeks in add-on to the handshaking. And the Gallic frequently shake custodies in departing. In the Orient, the Chinese system presents the family name foremost and the given name last ; for illustration, Wang Xiansheng would be addressed as Mr. Wang. However, if the Chinese are utilizing English, they will normally set their family names last as is done in the United States. When you greet Chinese people, agitate custodies and turn to them by their family names with a courtesy rubric. For India and Thailand, a salutation consists of seting your custodies together in a prayer-like place, keeping them about thorax high, and so blowing somewhat. In India, this is called NAMASTE ; in Thailand, it is called Wai. Peoples are addressed by their family names with the appropriate courtesy rubric. In Assalaamualaikum ( Peace be upon you ) and Waalaikum assalaam ( And peace be upon you ) . Work force may agitate custodies ; nevertheless, retrieve that you should non agitate custodies, snog, or encompass a member of the opposite sex. Homework You can see how easy it could be to diss person or embarrass yourself as you meet and greet people. Please make your prep before you travel. Fix your concern cards and analyze the imposts. We want to construct relationships based upon regard for other civilizations.

How to Use Mood and Atmosphere in Your Novel - Freewrite Store

How to Use Mood and Atmosphere in Your Novel - Freewrite Store ï » ¿The mood, or atmosphere, of your novel, is one of the things that makes your story stick in your readers’ minds long after they’ve turned the last page. Think about some of your favorite novels - what is it that you remember most? For me, the stormy atmosphere of my favorite novel, Wuthering Heights, is the first thing that comes to mind. Emily Bronte managed to create a mood in the novel that I really related to during my turbulent teenage years. As I’m writing this, I’m listening to the angry crashing of thunder and the pouring torrential rain, listening to children screaming as they run inside - what a perfect reminder of how nature creates atmosphere without any effort at all! The Power of Your Setting for Atmosphere There’s a variety of factors that go into creating mood and atmosphere in fiction. Your setting - including details like the weather and climate - can be a great starting point for conveying a mood. In Wuthering Heights, for example, the windswept moors of the Yorkshire Dales created the perfect backdrop for the atmosphere of the story. It’s the setting that allows you to introduce details that create the mood. The kinds of details that you can use for conveying the atmosphere against the backdrop of your story include smells, sounds, and sights. For example, you could create a gothic mood by using details that describe the decay of an abandoned house - cobwebs in the corners, rust on the bars on the windows, clouds of dust, and so on. Using Mood Words As a beginning writer, when I first came across the term ‘mood words’, I thought it referred to a list of moods (e.g. happy, depressed, angry, despondent, etc.). I was wrong. Mood words are broadly defined as descriptive verbs and adjectives that add an extra dimension to non-descript actions. For example, consider the difference between these sentences: Adelaide walked towards the door. Adelaide tiptoed towards the door. Walking is non-descript. We all do it, and without any kind of descriptors about howa character is walking, there’s no sense of mood or atmosphere. To tiptoe, however, is to walk in a particular way - to avoid being heard or to avoid disturbing someone. Overall, tiptoeing creates a sense of stealth and can be used to convey an atmosphere of tension or caution. Mood words are incredibly useful when you’re trying to convey an atmosphere. It can be helpful to have a list of mood words for particular types of scenes that you can easily refer back to. Here’s an example to get you started: Eerie Mood Words: Creaking Rattling Thumping Scuttling (as in a mouse scuttling) Whistling (as in the wind whistling) Cracking (as in a twig cracking) Show, Don’t Tell The easiest way to create a mood is to tell the reader what the mood is, right? Wrong. Which of these two passages is more engaging and captivating in its description of mood?: Rebecca felt happy that the interview had gone well. She was excited to hear back from the manager. Rebecca walked sedately out of the building, but as soon as she was out of sight of the reception desk, she almost danced across the road to where Dom was waiting for her. A bubbling laugh escaped her lips as she ran to him and threw her arms around his neck. â€Å"I think I’ve got it!† she almost shouted. â€Å"Oh, Dom, you should’ve seen me in there!† You should always avoid telling your readers something when you can show them through your characters actions and speech. The second passage conveys the excitement in a way that makes the reader feel part of the scene - simply telling the reader that your character is excited isn’t going to create an atmosphere of excitement. Word Choices The words that you use to describe a scene or setting can have a powerful impact on the kind of mood you create. When I was studying for my Creative Writing degree, my tutor set an assignment that I thought I’d suck at, but I actually found that I enjoyed it. We were given a setting - a simple backyard - but told to describe it in three different ways, conveying a different atmosphere each time. This is how it turned out: Scene 1: Shadows played across the yard like a shroud. Long grass, unkempt and almost knee-high, danced in the breeze. A child’s bicycle, long abandoned, lay in the shadow of a withered oak tree. Sunlight blazing off the sash windows of the house made it impossible for Derrick to see whether Susan was inside. Scene 2 Alstroemeria bloomed in the bright-blue planter pressed up against the side of the front porch. Danny’s bike was, yet again, abandoned in the middle of the lawn at the foot of the old oak. Excited giggles drifted down from the treehouse as the boys quickly hauled the ladder up. â€Å"Is your Mom home?† Derrick called out to the boys, shading his eyes against the glare of the sun. Scene 3 There were some signs that this had once been a happy home - the rusty bicycle below the oak tree, and the partially-collapsed remains of a treehouse. There had once been a lawn, but now it was just a scorched black scar in front of the dilapidated house. Derrick dug the toe of his boot into the dirt and sighed. It had been fifteen years, but if he breathed in deeply enough, it was almost as if he could still smell the smoke of the fire. The words that you choose to describe anything in your novel have the power to convey very different moods. You have to be careful about the vocabulary that you choose, to ensure that every word matches up with the mood you’re wanting to portray. Descriptions are a lot like paintings. The details that you show to your reader come together to create an overall picture - and if you use details that don’t fit the mood, they’ll be jarring to your readers. Putting What You’ve Learned Into Practice Actually practicing using mood and atmosphere in your novel is the best way to get better at it. I’ve put together some exercises to help you get started. Imagine you’re writing a ghost story. Which of these two settings would provide the best backdrop for your story?: A cabin on the beach on the island of Barbados in summer An isolated cabin in a remote part of the Scottish highlands in winter (where there are only a few hours of daylight each day) Imagine you’re writing a story about a marriage breakdown. How would these different settings change the mood of the story?: The kitchen during the morning rush to get the kids to school A seating area outside a cafe close to where there’s a group of protestors shouting and waving placards A clifftop as your characters are participating in a walk for charity Create a mood word list for each of the following atmospheres: Spooky Tense Despairing Excited Joyful Find a scene in a novel (yours, or one you’re reading) where there’s more telling than there is showing. Re-write the scene in a way that conveys a mood without using the actual word. Describe a house and garden in three separate scenes, creating a different atmosphere in each.